stever
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« on: April 26, 2009, 07:18:06 PM » |
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Hi Zeke (and all),
Sorry to have taken so long to reply, but am working far to many hours at the moment to be motivated when I come home to take pics!
Re: statue--- yes, staying in the yard for now. it is a real beautiful yard object for sure!
Re: brass/bronze Victorian hardware.....
I'll be happy to post some pics. I'll start with hinges....bronze... and I'll try to stay with the aesthetic flavor. All of these items will be American made and circa 1875 to 1885. I know there is a limit of pics per post so I will have multiple posts. I have a lot of other figural stuff too, but for now will try and stay with the aesthetic design as this is how the post started in the first place!
stever
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stever
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« Reply #1 on: April 26, 2009, 07:24:51 PM » |
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Hi Zeke and all!
Will now send some door plate pics---all bronze, circa 1875-1885 with aesthetic design.
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stever
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« Reply #2 on: April 26, 2009, 07:37:16 PM » |
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Hi again all---
This post shows smaller triangular door plates and individual keyholes. Many of you may have already noticed many of these pieces match each other and when they are assembled complete they are spectacular. The Victorian's demanded many different pieces to outfit their homes and the manufacturer's of the day accomodated much like the automobile manufacturer does today. There were pieces to fit every imaginable need.
stever
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stever
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« Reply #3 on: April 26, 2009, 07:45:03 PM » |
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Last post----!
Knobs and pocket door hardware.
Note### the sunflower knob on the pic labeled herter came with a lock and is marked Herter Brothers, New York.
Hope you have enjoyed.
stever
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woodwright
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« Reply #4 on: April 27, 2009, 01:26:51 AM » |
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Stever, Very nice collection, some beautiful hardware. I see you have all pieces labeled by manufacturer. How is it that you know the maker of each? Are they marked, or by research/ old catalogs?
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stever
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« Reply #5 on: April 28, 2009, 03:38:56 AM » |
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Hello Woodwright,
Yes, I labeled the pieces by manufacturer. There are actually many sources to draw from in helping identify these pieces. First of all, there is national doorknob collector's club. known as ADCA, this club has approx 250 members, has a quarterly newsletter and has annual conventions. This year's convention is in Hartford, Connecticut in July (same week as Brimfield). If you are close, it would make for an interesting trip even if you do not plan on making any purchases (yes, there will be lots of hardware there for sale). The club has an archive of original hardware catalogues which are accessible to members for copying at practically cost. It takes $25. yearly to join---and as one can only imagine--- there are many whom have joined simply for the information gleaned from this library.
Fortunately, there are also several good books on this subject by Maud Eastwood and Leonard Blumin (known as the pioneers of this field). Another book which was produced in the last several years by Weber Wilson, has many good pictures, however it also contains numerous errors which hurts the novice collector in this field.
A great source of info is the U.S. Patent office(on-line). About 6 years ago I had to have open heart surgery. I was off from work for 6 weeks and one can only watch movies and clean out the garage so many times before you go crazy. I discovered the website at about week three and went through hours of searching/copying the numerous patents on hardware from the earliest to approx 1900. I found it interesting that many designs were never patented and as such many close copies were made by competing companies.
Yes, many hardware pieces are marked---such as the hardware lock I have marked Herter Brothers, New York (actually probably made by Hopkins & Dickinson, N.Y.). Unfortunately, most companies did not mark their wares and I can only surmise it was due to pure economics as this was usually hand applied. Notable exceptions were the Metallic Compression Casting company of Boston, early Russell & Erwin, Yale & Towne and Mallory Wheeler & Co. As the industry moved to the 1900's many more companies began to mark items with their logos including Sargent, Corbin, Chicago hardware, Reading Hardware and others.
Finally, experience also plays a factor. I have been collecting hardware and Victoriana for 30 years or so. I am guessing you have enjoyed working with wood for at least this long too. I can tell when a piece has been made by a particular manufacturer because i know the patterns, the different metallic compositions, the items which are more susceptible to green verdigris, the sizes of the knob shanks(yes they differ) just as you know walnut from mahogany or oak from ash. Certainly I can be wrong--- but many times I am not. I will never boast though that i know it all as I am still learning in this field and find items in my search that i cannot identify!
I hope I have answered your questions adequately. This is a fascinating field and who knows--- perhaps hardware is in your future!
One last picture--- a favorite of mine...although not aesthetic. Manufactured by the Corbin hardware company 1873-4, this knob and plate has hand applied enamel and was fired much like cloisonne work. Available in many colors, it was absolutely superior in design, execution and simply stunning! Unfortunately, it was so expensive in it's day and coupled with a national recession in 1874, the company quit producing the line by the end of this year.
stever
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woodwright
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« Reply #6 on: April 28, 2009, 11:49:40 AM » |
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Stever, Wow! That set is spectacular - I've never seen anything quite like it - very impressive. A very thorough and informative answer to my question - much more than I expected. You sound passionate and very knowledgeable about the subject. You are correct in your assumption - I have been working with wood for 30 years (25 professional + 5 amateur) and if you are passionate about something, you have a thirst to learn all that you can about the subject - although no one knows everything about anything, there are always new discoveries to be made. I have never collected door hardware, but can certainly appreciate the details and designs involved in them. I really enjoy seeing your collection. woodwright
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zeke
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« Reply #7 on: May 08, 2009, 02:10:58 PM » |
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Stever!
I’m in awe, your collection is incredible. In my travels I see a lot of brass hardware but nothing like this, you have the best of the best. I can certainly understand your passion for these things, they’re all so beautiful. I’m honestly lost for words. Thank you so much for taking the time and effort to post all these and for your lengthy and informative comments. I put all the pics in a folder for my personal reference.
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stever
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« Reply #8 on: May 12, 2009, 04:18:54 AM » |
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thanks woodright and zeke... appreciate your comments.
it is really hard to "not post more," as although i like all of the items you have seen, i have many others which i really like more (except for the 1874 corbin enamel). my favorite years of hardware production and design are really a bit earlier then the 1880's aesthetic designs. from 1869-to the late 1870's are what i consider the "golden" years of hardware production and these pieces really have no equal in design, quality of manufacture or visual appeal. the neo-grec design of this era fits right in with my love for renaissance revival type furniture too!
stever
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jacon4
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« Reply #9 on: May 12, 2009, 09:02:52 AM » |
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Really gorgeous hardware. As a cabinet hardware fan, i have been researching early American hardware lately and have found it tough going. What interests me is the locks, made of iron in the 17th & 18th century, any ideas where i could find info on this? One interesting article i did find on iron nails by Greg LeFever notes that in early america, nails were so valuable that home owners moving to another location, burned their buildings down to recover the nails. Indeed, in 1645 the Virginia House of Burgesses passed a law offering to give the home owner as many nails as he used in construction of the buildings in an effort to stop this practice. Act VII http://www.vagenweb.org/hening/vol01-12.htm#page_291Article by Lefever on iron nails http://www.gregorylefever.com/pdfs/Early%20Nails%202.pdf
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zeke
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« Reply #11 on: June 14, 2009, 09:57:22 PM » |
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Stever,
More hardware please!
Do you know how to tell the difference between a vintage sargent Ekado pattern doorknob and a repro one. I am of the understanding these are being currently manufactured. I would very much appreciate any hints!
Zeke
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stever
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« Reply #12 on: June 17, 2009, 04:41:31 AM » |
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hi zeke---
have not forgotten you and the rest of rare victorian! i have been working long hours and unfortunately the net result is that by the time i get home i have lost some motivation. i intend to post more pics soon so hang in there!
sargent's ekado is a very desireable aesthetic pattern and as such has been reproduced my several "copiers" in the industry. clarity of design is the first thing to look for. the design needs to be clear and sharp. the edge of the knob will be reeded like a coin (in the flat/drum shape form) and the reeding is super fine and crisp.the shank of the knob will have a square hole to accommodate a square spindle shaft. it will not be tapped to accommodate a screw on spindle shaft. the knob attaches to the shaft with a single set screw. fortunately, the design will also carry a patent date of aug18,85, with the sargent name cast into the plates, hinges, rosettes, push plates, pocket pulls etc. unfortunately the knobs are not marked. one can also help discern a reproduction by the weight of the knob. these knobs carry good weight but poorly made reproductions almost always weigh a good deal more then the original. the original was made in 3 pieces and pressed together where the repo is generally cast as a single piece--and usually with poor casting.
i know of few good reproductions in the market place. almost all are inferior to the original. the only maker (not copier) of hardware that in my estimation is better then the original--or certainly their equal are manufactured by e.r. butler & company, new york. you will find no equal but no worries---he does not have an ekado line!
i will try and send a display pic of ekado, but not certain if it will turn out. will be back again soon, stever
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zeke
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« Reply #13 on: June 20, 2009, 09:36:42 PM » |
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Hey Stever,
Thanks so much for your very concise answer and your display of the hardware looks great. You don't live in New Jersey do you? I would love to see your collection!
My knob set is a single casting but great quality. I guess it's a repro, but I got it cheap at a outdoor flea market and it looks great on the door we put it on. The quality of the reeding on the edge is very convincing and it sure fooled me.
I picked up the book "Antique Hardware price guide" by Wilson and I'm becoming absolutely fascinated by all this wonderful stuff. Many thanks for all you've contributed to these boards, it is very much appreciated.
Zeke
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stever
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« Reply #14 on: August 09, 2009, 07:25:15 PM » |
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Hello to all!
I am trying to get caught up on adding more pics to this file. Since I last posted, the annual Antique Doorknob Collector's of America (ADCA) held their annual convention in Hartford, Connecticut. It was my first visit to Hartford and if one is traveling in this area the Connecticut state capital building is a must see. I am certain there are not too many more buildings in America which can compare. The tour is on your own and free. Do not miss this Victorian beauty in all of its' splendor. To me, it was just as nice as the Library of Congress in Washington D.C.
While attending the convention I had hoped a few of you might show up, but no one introduced themselves as a Rare Victorian follower! I did attend Brimfield for two days also and I'll bet some of you were there too. It was my first time and I was surprised in many ways. I had expected to find much more hardware (little at best) and I was also hoping to see more high end Victorian furniture. I have heard that the summer show is not the best to attend, but it was just too convenient to not go! I had a good time and spent plenty.... I hope to attend again someday.
Back to the post......
When I last sent pics I showed a variety of aesthetically themed pieces. This time i will be sending a bit of everything. I had stated I would send some of my favorites, but once I began to organize pictures I realized the breadth of hardware types was more then just a few pics could show. As such, I will list multiple pics and posts. If there continues to be interest I'll photograph more as I believe I could fill many pages here. As to content, I will only send pics of items I own or originally owned. If you have any questions I'll be glad to answer to the best of my ability. If any has enough interest to join the ADCA i will help facilitate this too.
note### First post is Yale and Towne circa 1885-1900
stever
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